Last year I heard a small buzz around The Cove, but it was drowned out by the roars surrounding big titles such as The September Issue, The Nine Lives of Marion Barry, and No Impact Man. However it happened, I found a free time slot and watched with mixed horror and fascination the secrets of The Cove unveiled. It begins with one man’s directive to show the world what is going on in Taiji, Japan. Behind the “Do Not Pass” signs and heavily guarded sea cove are mysterious sounds and sights always kept hidden by what he believes to be the capture and murder of hundreds of wild dolphins. One man isn’t enough to fully investigate the scene, and this film documents his journey to uncover the truth in “a provocative mix of investigative journalism, eco-adventure and arresting imagery, adding up to an unforgettable story that has inspired audiences worldwide to action.”

By the halfway point of my screening, the plight of murdered dophins were pulling at my heart, and I was eager to cheer on the team gathered to pull off a secret mission to expose the slaugher. Selected like the team of Oceans 11, the film introduces the special operations team:

The team is described as an “elite team of activists, filmmakers and freedivers… [who embarked] on a covert mission to penetrate a remote and hidden cove in Taiji, Japan, shining a light on a dark and deadly secret. Utilizing state-of-the-art techniques, including hidden microphones and cameras in fake rocks, the team uncovers how this small seaside village serves as a horrifying microcosm of massive ecological crimes happening worldwide.” Really, I couldn’t have said it better myself. After seeing this film and others at SILVERDOCS, I’m convinced that a well-edited documentary keeps it’s story at the center and pushes that story forward with every scene – whether action or interview. What makes The Cove a double-whammy of a doc, is the combination of fascinating characters and the unfolding of a secret mission only matched by fiction thrillers like Mission Impossible. If you’d like to see how it all ends or if you’re wondering if you should fulfill your childhood dream of swimming with the dolphis, go to the official website, download it on Amazon.com or iTunes, buy a hard copy at your local DVD shop, or you can rent it from Netflix.

This year, SILVERDOCS’10 will be June 21-27 located in Silver Spring, Maryland in and around the AFI-Silver Theater.
I’ve already screened a dozen documentaries – good and bad – out of our 2,000+ submissions. We’ve got our work cut out for us and less than 8 weeks to bring you some amazing movies!

So, what is YOUR favorite documentary?

Highlighting next week:
If you haven’t seen an episode there’s no doubt you’ve at least heard of the Tina Fey break-out comedy from NBC, 30 Rock. In the vein of The Office and Saturday Night Live comedy, 30 Rock captures the hilarity of Tina Fey & Alec Baldwin along with Jack McBrayer, Jane Krakowski, Tracy Morgan and Judah Friedlander in my new favorite Thursday night comedy! Physical comedy, political jesting, self-deprecation and guest appearances that rival E.R. – you can find it all HERE next week! Thanks for reading!

Best Leading Actor:
*Jeff Bridges in “Crazy Heart” (Fox Searchlight)

Best Supporting Actor:
*Christoph Waltz in “Inglourious Basterds” (The Weinstein Company)

Best Leading Actress:
Sandra Bullock in “The Blind Side” (Warner Bros.)

Best Supporting Actress:
*Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate)

Best Animated Feature Film:
*“Up” (Walt Disney) Pete Docter

Art Direction:
*“Avatar” (20th Century Fox) Art Direction: Rick Carter & Robert Stromberg & Set Decoration: Kim Sinclair

Best Cinematography:
*“Avatar” (20th Century Fox) Mauro Fiore

Costume Design:
*“The Young Victoria” (Apparition) Sandy Powell

Best Directing: Academy Award History Maker!
*“The Hurt Locker” (Summit Entertainment) Kathryn Bigelow

Best Documentary Feature:
*“The Cove” (Roadside Attractions) An Oceanic Preservation Society Production

Best Documentary Short Subject:
“Music by Prudence” – An iThemba Production Dir. Roger Ross Williams and Elinor Burkett

Film Editing:
“The Hurt Locker” (Summit Entertainment) Bob Murawski and Chris Innis

Best Foreign Language Film:
“El Secreto de Sus Ojos” (Sony Pictures Classics) A Haddock Films Production- Argentina

Makeup:
*“Star Trek” (Paramount and Spyglass Entertainment) Barney Burman, Mindy Hall and Joel Harlow

Best Original Film Score:
**”Up” (Walt Disney) Michael Giacchino

Best Original Song:
*“The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” (Fox Searchlight) Music and Lyric by Ryan Bingham and T Bone Burnett

Best Motion Picture:
**”The Hurt Locker” (Summit Entertainment) A Voltage Pictures

Best Animated Short Film:
**”Logorama” (Autour de Minuit) An Autour de Minuit Production-Nicolas Schmerkin

Best Live Action Short Film:
*“The New Tenants” A Park Pictures and M & M Production Joachim Back and Tivi Magnusson

Best Sound Editing:
“The Hurt Locker” (Summit Entertainment) Paul N.J. Ottosson

Best Sound Mixing:
**“The Hurt Locker” (Summit Entertainment) Paul N.J. Ottosson and Ray Beckett

Best Visual Effects:
*“Avatar” (20th Century Fox) Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones

Best Adapted Screenplay:
**“Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate) Screenplay by Geoffrey Fletcher

Best Original Screenplay:
**”The Hurt Locker” (Summit Entertainment) Written by Mark Boal

13/24 predicted; 19/24 overall.

Best moments of the night:
- Mo’Nique acceptance speech
- Oprah giving Gabby her “toast”
- Up Director’s wife’s reaction to his win
- Jeff Bridge’s acceptance speech (calling everyone “man”)
- Sandra Bullock’s acceptance speech (thanking unrecognized mothers)
- Kathryn Bigalow making history & acceptance speech (thanking men & women in service… including fire-fighters)

An attractive feature of electronic music and what keeps me coming back for more is the empowering tools that allow a solo or duo to have a full sound – all woven together in an electronic tapestry. Take Andrew Bird for example – his live music takes on much the same electronic elements as do others who use samples. Imogen Heap weaves her songs live on stage, piling loop after loop and fits them in just the right rhythm and place.

Along with the new introductions to electronic artists, one of my old favorites put out a surprise electronic album: Derek Webb. Today, Thursday February 25, 2010 ONLY you can get a FREE download at NoiseTrade.com/ of his new album Stockholm Syndrome. Check it out, seriously. A lot of hype that gradually produced doubt accompanied it’s release. The relevance of its release is doubtless for me and I listen to it more than any of his past work. Going back to his previous record The Ringing Bell I can continue to understand Webb’s growth and musical trajectory. With the release of Stockholm Syndrome, Webb also released the song stems for fans and musicians to remix and mashup on a site called SoundCloud- a hosting site for remixes, electronic sample sharing, and a place for artists of all professions to communicate and critique. girltalk is the best example I can give for an artist/producer who takes dozens of song – new and old and mashes them together in insanely imaginative ways. [note: It would be another entry to discuss the role of a dj vs. producer. I'm purposely leaving out the dj/MC which uses sampling and mashing by definition] I believe that more self-produced artists like Webb & Heap are using the ease of file sharing and inexpensive mixing software to encourage creativity among fans, allowing an almost conversational give and take of music. During SILVERDOCS 2009, I saw the documentary RIP: A Remix Manifesto which furthered my education of the issues behind mashups, music downloads and the question of freedom in media exchange and copyrights. The film goes beyond music and encouraged viewer participation through video remixing. In the end, there can be collaborative, mutually-supportive peace between artist and downloader or an intense – often money-driven – power war.

Back to the music… one critical turning point in my music listening was when I started subscribing to the KEXP Song of the Day Podcast. This (FREE!) daily bit of current and sometimes pre-released music accompanied by ablog gives context and information. Bell’s song “Housefire” was one of those tunes that eased my ears into more electronic music. Instead of hearing meaningless beeps & taps, I began to hear layers of complex rhythms and harmonies. Passion Pit was the next group to REALLY catch my attention. Let me tell you, I fell head over heels and was fully convinced that if their song “Sleepyhead” could be a person – a man – I would marry him. Ironically, or not, Passion Pit became one of Paste Magazine’s “Best of What’s Next” bands and caught the attention of NPR’s All Songs Considered as well as festivals & listeners around the country in 2008. They have a pop-driven sound. Similarly, Bon Iver gave me a taste of simpler self-produced music that verges on electronic with a few affected tracks such as “Woods” which is reminiscent of Imogen Heaps’ “Hide and Seek”… and we’ve come full circle. Before I let you go, just wanted to share a list of songs in my iTunes library & final thoughts.

25 Top picks for KEXP’s Song of the Day electronic songs:

• Dan Deacon “Paddling Ghost” (5/19/09)
• Bon Iver “Skinny Love” (3/31/09)
• The Arch Cupcake “Rubix Dude” (5/11/08 )
• Booka Shade “Charlotte” (7/15/08)
• The Dodos “Fools” (7/21/08 )
• El Ten Eleven “Jumping Frenchmen of Maine” (4/14/09)
• Faunts “Alarmed/Lights” (4/1/09)
• High Places “Head Spins” (10/9/08)
• High Places “From Stardust to Sentience” (11/20/08)
• Le Loup “Beach Town” (10/19/09)
• Kinky “Fuego En La Fabrica” (3/3/09)
• Lusine “Two Dots” (9/2/09)
• Man Plus “A Ghost is a Ghost is a Ghost is a Ghost” Remix (12/19/08)
• Miike Snow “Animal” (6/8/09)
• Miike Snow “Burial (DJ Mehdi Remix)” (3/11/09)
• Moby “Pale Horses” ( 7/23/09)
• Peter Bjorn & John “Nothing to Worry About” (2/25/09)
• The Pinker Tones “Fugaz” (6/3/08)
• School of Seven Bells “Iamundernodisguise” ( 11/19/08)
• Zion I “Caged Bird Part 1 (feat. Brother Ali) (4/16/09)
• Telepathe “So Fine” (2/30/09)
• Stellastarr* “Freak Out” (7/21/09)
• Nino Moschella “Continue to Call” ( 6/23/09)
• Passion Pit “I’ve Got Your Number” (11/3/08)

Click, read, download & enjoy! If you want more reading, there are several other blogs like SoftSynth Blog who shares their 25 top electronic albums of the Decade. Many other songs and artists are worth exploring in this discussion and as I barely scratch the surface, I’m finding more. Have you heard a song that inspires you to dance or mix it up? Leave a comment and pass it on!

Highlighting next week:
On the Big Screen – Oscar Predictions! I’ll be giving my predictions for the 82nd Annual Academy Awards which happen Sunday March 7th, so read ahead & tune in!

Why it works: Glee is the culmination of FOX’s successful reality series American Idol and So You Think You Can Dance and Disney’s hit High School Musical trilogy plus the humor/music combination in many episodes of The Simpsons. The reality shows, AI & SYTYCD, showcase rare, raw talent like the Kelly Clarkson/Susan Boyle voices and the Tabitha & Napoleon Dumo choreography we all love. But in order to get to the perfect performances & well-synced choreography we must endure the pain of disappointment and at times, horror of the not-so-talented. Glee is a gold mine of chill-inducing, pitch-perfect, light-blazing performances. While some scoff the reality-TV fad, audiences young & old can justify watching Glee because the performances are from the professionals & the songs are from their very own iTunes library: Journey “Don’t Stop Believing,” The Rolling Stones “You Can’t Always Get What You Want,” Van Halen “Jump,” John Lennon “Imagine” and well, you get the picture. Younger audiences will love it too! With songs like, “Gold Digger,” Rehab,” “I Kissed a Girl,” and “Single Ladies” they keep it relevant.
Another evidence of their musical success: Mashups.
Beyonce/Hair “Crazy in Love”/”Hair”, Bon Jovi/Usher “It’s My Life”/”Confessions Pt. 2″ and Beyonce/Katrina & the Waves”Halo”/”Walking on Sunshine” mixing old and new.

Let’s be honest, it was hard to call myself a fan of HSM 1,2,&3 when they’re geared toward 8-15 year-olds, but with catchy tunes and sharp choreography, it was I who dragged Nick (9) & Zack (7) to the theater for the third installment. Glee was just what I (and the thousands of other 20-somethings who secretly watched HSM) needed. With Glee, I can still enjoy song, dance, PLUS mature story-content and witty humor but in a more acceptable & predictable format -the TV Dramady series.

A reviewer I admire, Rachael Maddux of Paste Magazine, recently wrote a Season 1 Reveiw, gave it a “respectable” 51 out of 100 and pummeled it due to it’s lack of realistic plot points & far-fetched props/costumes during musical numbers. I am disappointed with this review and join ranks with the opinions of three online commenters that follow the article. Trish says, “GLEE is great satire with fantastically executed musical performances. To me, it’s like a mash-up of the best unexpected covers from American Idol with Friday Night Lights-loveable characters.” The show gives me more of what I secretly want when watching American Idol – good song choices, good voices, good performances, and a little DRAMA.

Maddux does bring up some clear issues with the show:
“…most of the characters’ wounds are self-inflicted, the natural consequences of self-serving lies and deliberate manipulations of friends, family and co-workers. There are some exceptions, some challenges and conflicts parlayed into teaching moments with all the saccharine wisdom of an after-school special. But, for the most part, every moment of character development is merely an excuse to unveil another dark layer of these people we’re supposed to identify with, root for—even love.”
So yeah, I’m not a fan of how the characters lie and manipulate in order to make things better… is the “happy ending” worth the frustration it takes to get there? Additionally, the writers of Glee aren’t afraid of sex, sexiness, and sexuality. I realized this very quickly. From the topics of Glee Club member, Kurt’s sexuality to teen pregnancies to the sensual dance numbers that only sickened me at times, Glee might just be a bit obsessed. At the same time, the show brings up several other hot-button topics such as physical & mental handicaps, marriage & faithfulness, and the all-American “just be yourself” campaign. One other shallow mention in the mix: religion. Two references to religion I can recall are when the pregnant, gold-cross-necklace wearing “Christian” cheerleader is outspoken about abstinence and when Puck decides to date Rachel because he’s a Jew & she’s a “good-looking Jew” and he wants to make his mother happy… hm. So spiritual.

Besides the music, the character rivalries are my favorite plot tent-poles of Glee. Mr. Scheuster vs. Sue Sylvester. Even the somewhat sketchy Mrs. Terri Scheuster vs. wholesome guidance counselor Emma Pillsbury keep me watching. Jane Lynch as Sue Sylvester is nearly perfect and the comedy that ensues between Sue and Sheu is belly-laugh worthy!
(see this & more great Sue Sylvester Quotes)

Will: ”I will destroy you”
Sue: ”I am about to vomit down your back.”

Lynch is pushing 50 and is JUST now on my radar with this role plus her recent role in the Meryl Streep movie Julie & Julia. That’s not to say she hasn’t been working the screen for a while. Check her IMDB listings. Keep an eye on this one. Paste Magazine covered an article about Matthew Morrison’s rise to fame and his move into recording that voice I’ve come to love. At first, I was mostly disturbed by the white-boy-trying-to-pull-off-hip-hop (not to mention trying to be the “cool” teacher) but then I watched and realized he had the vocals & moves to make it work. I predict he’ll stick to what he knows and offer an album of covers & sound-alike-broadway tunes.

That brings me to my final cheer about Glee. It’s bringing back Broadway!
With musical guest appearances like Kristen Chenoweth (who I LOVE) and musical numbers like “On My Own” from Les Miserables and “Sit Down You’re Rockin’ the Boat” from Guys and Dolls, it’s a sneak peak of the Broadway stage. I could go on about Lea Michele as Rachel Berry and her incredible vocals that make me want to jump a train to NYC to see Wicked or Chicago. Whew. This is why I love Glee.
So congradulations on winning a San Fransisco Review.)

Highlighting next week:
I’m trying to keep up with my pattern, so tune in next week for a perspective on electronic music and how my tastes have changed over the past few years. Highlighting KEXP’s Song of the Day Podcast, Imogen Heap, David Byrne, Booka Shade, Passion Pit, High Places, Animal Collective, and *gasp!* Derek Webb. Thanks for reading!

This specific resolution also refers to the fact that this blog is dusty. No. Worse than just dusty – it is so sparsely used that it’s at the risk of foreclosure in a bottomed-out economy of unread blogs. It’s time for a cleaning, a polishing, and to keep with the house analogy – time for a blog flip…. oh yeah, I’m gonna sell it… to you!

My blog-refurb starts with a new goal for my writing. Instead of giving you all the details of my ever-exciting-post-student phase of life, I want to do some reviews and commentary on the media that is impacting my life and hopefully the lives of those who will be reading. The three big media types that impact my life and give me cause to interact with my culture are films, music, and TV programs. For each of these three categories, I partake using several venues including movie theaters, the local Library, Concert Venues, magazines, my fave television stations, iTunes, and of course the all-knowing, all-inclusive World Wide Web.

Instead of overwhelming myself with a daily post of quick info, I’m going to aim for a bit more in-depth research and then offer a weekly post. If I find myself with more time/words, I may up it twice a week…

For now, I’m going to follow the year-end trends and give you my top 10 in each category that I mentioned. If I had a billion years, I’d link each one to myspace or something… just use the ‘ole highlight, right-click “search for in google“…

Top 10 Songs I listened to in 2008
10. “Why Did You Let Me Stay Here?”- She & Him
9. “Why Can’t It Be Christmastime All Year” – Rosie Thomas
8. “Hologram” – Katie Herzig
7. “Lose You” – Sandra McCracken
6. “Good Night Girl” – Nadas
5. “Honey Will You Sing Me a Song” – Matt Hires
4. “Bleeding Love” – Leona Lewis
3. “When Water Comes to Life” – Cloud Cult
2. “Mercy”- Duffy
1. “Buildings & Mountains” – The Republic Tigers

Top 10 Artists I listened to in 2008 (with a little help from last.fm)
10. The Weepies
9. Anberlin
8. Andrew Bird
7. Sufjan Stevens
6. Jennifer Knapp
5. Hem
4. Over the Rhine
3. Sara Groves
2. Rosie Thomas
1. Sandra McCracken & Derek Webb (counting them as 1)

Top 10 Movies of 2008
10. High School Musical 3 (October)
9. Kung Fu Panda (June)
8. Be Kind, Rewind (February)
7. The Chronicles of Narnia: Prince Caspian (May)
6. Taxi to the Dark Side (January)
5. Synecdoche, NY (October)
4. Burn After Reading (September)
3. Man on Wire (July)
2. The Dark Knight (July)
1. Slumdog Millionaire (December)

Top Concerts/Live Performances of 2008
10. Shane & Shane with Bethany Dillon (St. Louis, MO)
9. Derek Webb & Sandra McCracken (St. Louis, MO)
8. Katie Myers (Lookout Mountain, GA)
7. Michael Rhodes (Lookout Mountain, GA)
6. Ingrid Michaelson (Alexandria, VA)
5. Over the Rhine & Garrison Star (Birmingham, AL)
4. Rosie Thomas (Vienna, VA)
3. So You Think You Can Dance (Norfolk, VA)
2. Iron & Wine (St. Louis, MO)
1. Art. Music. Justice. With Sara Groves, Brandon Heath, Derek Webb, Sandra McCracken, & Charlie Peacock (Messiah College, PA)

Top 10 TV Programs of 2008
10. L.A. Ink (TLC)
9. Soup (E!)
8. John & Kate + 8 (TLC)
7. What Not To Wear (TLC)
6. American Idol (FOX)
5. 30 Rock (NBC)
4. True Hollywood Story (E!)
3. So You Think You Can Dance (FOX)
2. Pushing Daisies (ABC)
1. The Office (NBC)

Please feel free to comment on my top 10 lists! I am not holding myself to standards besides honesty about what I was able to “consume” this year. I admit I left out several movies that I should have seen/will see and several artists/songs that I should have listened to/will listen to in the coming year! Thanks for reading!

Peace_Sarah_